supported by 156 fans who also own “Another End into a Different Time”
For me, if you play this sub-sub-genre of music you're either Darkspace or you're not. But now I am forced to admit a third possibility... you are Voidsphere. Each 20 minute track infects and inflicts with continuous forward energy, eventually led by a fuzzy but clear and prominent guitar melody. Guitar chugging is occasional but assists with momentum, while screams are a sparse but complimentary part of the journey, almost as if they are happening in fixed spaces, while we as listeners fly by. rvss.eel
supported by 137 fans who also own “Another End into a Different Time”
Will this be the final form of Mahr? It's impossible to tell as with Odium, the most volatile and ominous of the Pràva Kollektiv entities full-on switches back to long-form black metal. Add on top of that deranged, unpredicable aggression and maximum eerieness, utterly demented vocals (think Pharmakeia) and atmosphere straight outta the seventh circle of Hell. Odium is invaluable in its savagery, ruthless in its brutality, hard to grasp and - primarily - very, VERY good... and hateful. Slava! David Fischer
Nearly a decade after their last LP, the Chicago post-metal trio resurface with a punishing concept album set in an apocalyptic wasteland. Bandcamp New & Notable May 5, 2024
The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres. Bandcamp Album of the Day Apr 26, 2024